The new IX Tab album, The World Is Not Where We Are is available to pre-order now. Look to your right, it should be there.
After the unexpected success of R.O.C., IX Tab went into hibernation. To some extent, we’re still there. It was cold outside then, and it’s colder now. Still, it’s time to wake up.
The World Is Not Where We Are completes a trilogy of IX Tab albums and, while clearly cut from the same dirty cloth as Spindle & The Bregnut Tree and R.O.C, it is something of a departure in that, this time around, there is manifestly an acceptance of the feminine into the harte of the wud. The World Is Not Where We Are is moon-driven and burnished in silver. It’s anima(listic) and tidal, altogether more graceful in it’s movements.
This time around, IX Tab features Eli Murray aka Gentleforce and Joan Pope of The Whip Angels, two collaborators from across the seas who instinctively understood the ritualistic nature of IX Tab and the strong sense of place. Gentleforce released arguably the best ambient album of 2016 in Refuge From The Great Sadness, while Joan Pope’s audio-visual sex cult, sexdeathrebirth, is in the process of taking all the worlds by storm.
Other things have remained the same: old energies pushed in new directions. Lyrics by Kant by way of the Noumenal; songs by W.B. Yeats and Colette; atmospheres and sex magick exercises from Israel Regardie and Pope Joan; drones made from creaking swings and squeaking munkins; folk dirges and shotgun fire; wassails & poetic re-imaginings of lost causes. We know it’s an increasingly unpopular opinion, but we don’t believe that any music speaks for itself.
As ever, the IX Tab universe spills out into a 16-page full colour booklet bursting at the seams with esoteric ephemera, loose psycho-geographical details, lyrical shards, totems and potentially libelous slurs against 18th C portrait artists.
In The Orchard Dream
The Sexing of the Pope
The Smoke & The Birds
A Meeting in a Roofless Church
The Tired Synths
The World Is Not Where We Are
The Holy Roman Empire